Events

Evan Bartholomew has been performing electronic music for nearly 20 years as Bluetech, Evan Marc and Invisible Allies (with Kilowatts). As an an internationally recognized touring music producer with over 27 album / EP releases and a seasoned portfolio of video game and film scoring credits, Bluetech is a master of analog and

modular sound synthesis and DSP audio manipulation. He brings a passion for sound design and cutting edge audio exploration into all the work he touches. His music transcends the constructs normally associated with a calculated “electronic artist,” pursuing music with meaning and purpose

with downtempo, future bass and progressive electronic music, rife with emotional intent and poly-rhythmic percussion. Bluetech began his training as a classically trained pianist at a young age, and has explored his craft as a DJ, musician, film composer, record producer and label owner. His work has evolved to include his roots in classical composition and ear for nomadic harmonic progressions and a deep awareness of music as a kinetic force with body moving beat mechanics. Working as a solo artist, as well as a producer, he has written scores for film & television (CSI: Miami, Scared Sacred, Occupy Love, Albedo Absolute, various television commercials), video games (Comet Crash 2 – forthcoming PS4) and virtual reality installations (MicrodoseVR). In addition to music, Evan has established a reputation as an accomplished graphic designer, illustrator, and 3D animator through both his personal work and commissions for clients (Microsoft, Austin City Limited, City Of Seattle). Bluetech has toured extensively throughout the U.S. and internationally, having shared stages with such acts as The Glitch Mob, The Orb, Bassnectar, Ott, Juno Reactor and many more. Bluetech’s latest album “4 Horsemen of the Electrocalypse: The Black Horse” is an analog and modular based composition, in the same vein that he explored with his previous two albums “The Red Horse” and “The White Horse,” both released in 2016. Ranging from dark Detroit influenced electro, synthfunk, to more melodic techno explorations, this release pushes forward Bluetech’s unique analog based approach to sound and music production.

Rebecca Kilgore regularly performs worldwide at jazz festivals, jazz parties, and on jazz cruises. She has been a frequent guest on National Public Radio’s ‘Fresh Air’ with Terry Gross, has appeared on ‘A Prairie Home Companion’, and with Michael Feinstein at Carnegie Hall.

The Rebecca Kilgore Quartet (formerly known as BED) was a popular favorite on the jazz festival circuit: with Eddie Erickson (guitar/banjo/voice), Dan Barrett (trombone), and Joel Forbes (bass).

She has performed with the Statesmen Of Jazz, dedicated to perpetuating the art of jazz for future generations.

Other venues. New York: Feinstein’s at the Regency; New York: Birdland; San Francisco: The Plush Room at the York Hotel; Oakland, CA: Piedmont Pianos; Culver City, CA: The Jazz Bakery; Fullerton, CA: Steamers Jazz Club; Phoenix, AZ: The Nash; Madison, NJ: Shanghai Jazz; LA: The Westin at LAX; Toledo, OH: Murphy’s Place; Cleveland Heights, OH: Nighttown; Ann Arbor, MI: The Firefly Club; Cincinnati, OH: The Blue Wisp; Southampton, UK: The Concorde Club; Sherman Oaks, CA: Spazio’s.

She is honored to have been inducted (in 2010) to the Oregon Music Hall of Fame and to the Jazz Society of Oregon’s Hall Of Fame, and to have been invited to perform at New York’s Mabel Mercer Cabaret Convention for three years at Town Hall and Lincoln Center. She was the guest of honor at the 2013 Roswell (New Mexico) Jazz Festival, and honored as a Jazz Legend at the San Diego Jazz Party in 2016.

"If this band appeared in New York City, they'd be a sensation!" That was guitar great--and one-time Mel Brown bandmate--George Benson's reaction after hearing the Mel Brown B-3 Organ Group open for him in 2003.  This true all-star band has been a sensation for a long time—including a 20-year run on Thursdays at Portland’s Jimmy Mak’s (The Oregonian dubbed them “Jimmy Mak’s signature group”).  A collective resume that reads like a "Who's Who" of NW jazz, blues, and soul, this group has the talent and confidence to be completely spontaneous--from their blistering solos to their improvised arrangements and segues.

MEL BROWN -- An Oregon icon, has been labeled the "Gentleman of Jazz," with a career spanning a half century. The city of Portland proclaimed June 22, 1989 "Mel Brown Day" in recognition of Mel's achievements as a musician and educator, receiving the Governor's Arts Award in 2002. Mel first made his mark as a Motown staff drummer, recording and touring with the Temptations, Smokey Robinson, and many others. He subsequently spent ten years working with Diana Ross and other pop acts before giving up the road in 1991 and returning home to his first love: jazz. Mel has been a fixture in Portland ever since, leading groups six nights a week at Jimmy Mak's and other venues when he isn't backing jazz artists like Joey DeFrancesco and Benny Golson.

DAN BALMER -- Widely considered the defining sound of contemporary jazz guitar in the Northwest.  Described by the Los Angeles Times as "the model of what a contemporary guitarist should be," Dan is one of the most original and creative artists to come from the fertile Northwest music scene.  Dan has played and recorded with a long list of jazz greats, has released six CDs of his own, is a jazz educator and a noted composer. Dan leads his own groups and performs with jazz artists including Diane Schuur, Benny Green, and Jeff Hamilton.  

RENATO CARANTO -- described as "one of Portland's most soulful jazz saxophonists" by The Oregonian," Renato is one of the most versatile, accomplished, soulful saxophonists anywhere. Arriving from the Philippines in '81 with only his horn, Renato has built an enviable career in Portland. After gaining a foothold in the local scene, Renato became one of the most sought-after jazzmen in the NW and beyond. In recent years, he’s toured with Grammy-winning jazz artist Esperanza Spalding and late country legend Merle Haggard. Talk about versatility!  

LOUIS "KING LOUIE" PAIN -- "Portland's boss of the B-3" (The Oregonian) hails from San Francisco, where he played and recorded with a wide variety of top musicians: Tower of Power guitarist Bruce Conte, Santana saxophonist Jules Broussard, Edwin Hawkins vocalist Dorothy Morrison, and B.B. King saxophonist Bobby Forte. After moving north in '86, Louis continued the trend. His 2016 cd with vocalist LaRhonda Steele, “Rock Me Baby,” was honored by Downbeat as one of the “Best Albums of 2016.”  Louis’ knack for playing exactly what's needed to further the song has made him Portland's "first call" organist. 

Join us for a classic night of cocktails and cabaret with a rotating cast of phenomenal local and touring performers.

Contact Critical Hit Burlesque for reserved seating or large party rates.

The Jack London Revue is located at 529 SW 4th Ave, Portland

Follow the hardwood path through the Rialto Poolroom        

Based in Portland, Oregon, Mike Curtis formed The Mike Curtis Jazz Project out of his love for big band jazz. Influences include Buddy Rich, Stan Kenton, Maynard Ferguson, Gordon Goodwin, Woody, Miles, Diz, all of the usual suspects!

MCJP plays progressive jazz, bebop, fusion, and a host of other styles in addition to the swing band standards.

"If this band appeared in New York City, they'd be a sensation!" That was guitar great--and one-time Mel Brown bandmate--George Benson's reaction after hearing the Mel Brown B-3 Organ Group open for him in 2003.  This true all-star band has been a sensation for a long time—including a 20-year run on Thursdays at Portland’s Jimmy Mak’s (The Oregonian dubbed them “Jimmy Mak’s signature group”).  A collective resume that reads like a "Who's Who" of NW jazz, blues, and soul, this group has the talent and confidence to be completely spontaneous--from their blistering solos to their improvised arrangements and segues.

MEL BROWN -- An Oregon icon, has been labeled the "Gentleman of Jazz," with a career spanning a half century. The city of Portland proclaimed June 22, 1989 "Mel Brown Day" in recognition of Mel's achievements as a musician and educator, receiving the Governor's Arts Award in 2002. Mel first made his mark as a Motown staff drummer, recording and touring with the Temptations, Smokey Robinson, and many others. He subsequently spent ten years working with Diana Ross and other pop acts before giving up the road in 1991 and returning home to his first love: jazz. Mel has been a fixture in Portland ever since, leading groups six nights a week at Jimmy Mak's and other venues when he isn't backing jazz artists like Joey DeFrancesco and Benny Golson.

DAN BALMER -- Widely considered the defining sound of contemporary jazz guitar in the Northwest.  Described by the Los Angeles Times as "the model of what a contemporary guitarist should be," Dan is one of the most original and creative artists to come from the fertile Northwest music scene.  Dan has played and recorded with a long list of jazz greats, has released six CDs of his own, is a jazz educator and a noted composer. Dan leads his own groups and performs with jazz artists including Diane Schuur, Benny Green, and Jeff Hamilton.  

RENATO CARANTO -- described as "one of Portland's most soulful jazz saxophonists" by The Oregonian," Renato is one of the most versatile, accomplished, soulful saxophonists anywhere. Arriving from the Philippines in '81 with only his horn, Renato has built an enviable career in Portland. After gaining a foothold in the local scene, Renato became one of the most sought-after jazzmen in the NW and beyond. In recent years, he’s toured with Grammy-winning jazz artist Esperanza Spalding and late country legend Merle Haggard. Talk about versatility!  

LOUIS "KING LOUIE" PAIN -- "Portland's boss of the B-3" (The Oregonian) hails from San Francisco, where he played and recorded with a wide variety of top musicians: Tower of Power guitarist Bruce Conte, Santana saxophonist Jules Broussard, Edwin Hawkins vocalist Dorothy Morrison, and B.B. King saxophonist Bobby Forte. After moving north in '86, Louis continued the trend. His 2016 cd with vocalist LaRhonda Steele, “Rock Me Baby,” was honored by Downbeat as one of the “Best Albums of 2016.”  Louis’ knack for playing exactly what's needed to further the song has made him Portland's "first call" organist.